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In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schöffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer's role as an inextricable part of the system. Jack Burnham's 1968 Artforum essay "Systems Aesthetics" and his 1970 "Software" exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the twenty-first century. Systems traces this radical shift in aesthetics from its roots in mid twentieth-century general systems theory, cybernetics, and artificial intelligence to the cutting-edge science of the present. The collected texts examine the connections between advanced technological systems, our bodies and minds; the relation of musical to spatial and architectural structures; and the ways in which systems-based art projects can create self-generating entities and networks, alter our experience of time, change the configurations of social relations, cross cultural borders, and interact with threatened ecosystems.

artificial intelligence --- Aesthetics of art --- hedendaagse kunst --- Philosophy and psychology of culture --- systems [equipment] --- kunstprojecten --- cybernetic art --- Art --- interactive art --- anno 1900-1999 --- Arts, Modern --- System theory. --- Philosophy --- Philosophy. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.038 --- Kunsttheorie ; systeemtheorie en kunst in de 20ste eeuw --- Kunstgeschiedenis ; 1950 - 2000 --- System theory --- Esthétique --- Technologie --- Technologie et art --- Cybernétique --- Intelligence artificielle --- Cultuurfilosofie. Cultuurpsychologie --- Kunstesthetica --- Kunst --- cybernetische kunst --- kunstmatige intelligentie --- systemen --- interactieve kunst --- systeemtheorie --- cybernetica --- epistemologie --- kennisleer --- mediatheorie --- mediakunde --- information design --- informatiedesign --- informatie --- kunst --- 130.2 --- 7.039 --- 7.038/039 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- KI (kunstmatige intelligentie) --- projects [artistic concepts]

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Thanks to the omnipresence of computers, cell phones, gaming systems, and the internet, a broad audience has traded its past reservations against technology for an almost insatiable curiosity for all things technical. Against this background, unprecedented new tools and possibilities are opening up for the world of design. In addition to sketchbooks and computers, young designers are increasingly using programming languages, soldering irons,sensors, and microprocessors as well as 3D milling or rapid prototyping machines in their work. The innovative use of powerful hardware and software has become affordable and, most of all, much easier to use. Today, the sky is the limit when it comes to ideas for experimental media, unconventional interfaces, and interactive spatial experiences. A Touch of Code shows how information becomes experience. The book examines how surprising personal experiences are created where virtual realms meet the real world and where dataflow confronts the human

Art --- installatiekunst --- anno 2000-2099 --- Installations (Art) --- Interactive art --- Art and technology --- Multimedia (Art) --- Computer art --- Video art --- Sound in art --- Technologie et art --- Installation-art --- Art vidéo --- Multimédia --- Art contemporain --- Rapport art-architecture --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- technologie --- kunst en technologie --- interactiviteit --- interactieve kunst --- interactieve media --- installaties --- computerkunst --- computers --- design --- kunst en design --- Aether architecture --- Boeck Andrea --- Jihyun Kim --- Lui Justin --- Bartholl Aram --- Ars electronica futurelab --- art+com --- Atelier Markgraph --- Meso digital interiors --- interieurvormgeving --- B-human --- bitsbeauty --- Bureau des mésarchitectures --- architectuur --- kunst en architectuur --- Gomez Carlos J. --- Keller Christiane --- De Boeck Christoph --- Cinimod studio --- Cod.act --- Congaz --- Copenhagen institute of interactive design --- interactief design --- Rozin Daniel --- Pearlman Dan --- Bowen David --- Design I/O --- Electroland --- Zananiri Elie --- Envis precisely --- Everyoneelse --- Hojmose Anders --- Ronde Thielke Sebastian --- Vorreiter felix --- Orellana Fernando --- The light surgeons --- Field --- Fishing for compliments --- Flong --- Flying saucer --- Found electronics --- Fietzek Frank --- Winters Uli --- Rallo Gerard --- Gergwerk --- Kaufman Gregory --- Graffiti research lab --- Greyworld --- Id3d-Berlin-Themengestaltung --- Immediate remote interaction systems --- Informationlab --- Betran Ishac --- Berk jed --- Liao Jenhui --- Campbell Jim --- Friedemann Heuer Jonas --- Graef Jürgen --- Griffiths Joseph L. --- Popp Julius --- von Bismarck Julius --- Maus Benjamin --- Stumreich Kathrin --- Ahn Keehyun --- Lee Minsoo --- AnLstudio --- Kitchen Budapest --- KMAst --- LAb[au] --- Moura Leonel --- Les éditions volumiques --- De Rosso Lucca --- Lummo --- Yavuz Mahir --- LLoret Javier --- Iannicelli Marco --- Kison Markus --- Lerner Markus --- Stubbe André --- Bircher Martin --- Kim Luge Martin --- Casalegno Mattia --- Mediaarchitecture --- mischer'traxler --- Waldemeyer Moritz --- Hafermaas Nikolaus --- Goods Dan --- Koblin Aaron --- Roy Niklas --- Suominen Jari --- Völker Nils --- Meindertsma Christien --- Neustart corporate medialab --- Kunz Nicolas --- Flückiger Michael --- Wilshen Oliver --- OMA international --- Oriko --- Telhan Orkan --- Oscar Diaz studio --- Suzuki Yuri --- Beesley Philip --- Hoang Phu --- Rachely Rotem studio --- Notzold Paul --- Lozano-Hemmer Rafael --- Baecker Ralf --- rAndom international --- Wilhelmer Richard --- Mathy Robert --- Loesslein Roland --- We ain't plastic --- Habbyshaw Ryan --- Vanderlin Todd --- Sifteo --- Signal to noise --- Silent sudios --- Hilsing Silke --- Marxen Simon --- Schiessl simon --- Hardmood Beck Felix --- Bassi Andrea --- Wilhelmsen Siren Elise --- Sonice development --- Sosolimited --- Kuzaj Stefan --- Winker Jochen --- Fiedler Steffen --- Comkee --- Strukt design studio --- Unheilbar Architektur --- kunst en wetenschap --- studio klv --- Studio Roosegaarde --- Swampe --- Rorke Tiago --- Tac table --- ThegreenEyl --- Brevet Thibault --- Meister Boris --- Dierichs Tillmann --- Elsholz Stefanie --- Schissler Martin --- Posselt Torsten --- Trikoton --- Troika --- United states of design --- United visual artists --- Vr/urban --- Wandern im Wissen --- Whitevoid --- YesYesNo --- Zimoun --- 745.039 --- 7.039 --- 791.5 --- Gomez Carlos J --- Griffiths Joseph L --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Multi media (Art) --- Arts --- Participatory art --- Social practice (Art) --- Installation art --- Environment (Art) --- Art, Computer --- Computer craft --- Digital art --- New media art --- Technology and art --- Technology --- Time-based art --- Installations (Art) - 21st century. --- Interactive art - 21st century. --- Art and technology - 21st century. --- Multimedia (Art) - 21st century. --- Computer art - 21st century. --- Video art - 21st century. --- Sound in art - 21st century.